HOLDING THE MAN – Tommy Murphy, adapted from the book by Tim Conigrave


HTM3The original production, directed by David Berthold, is one of the most successful Australian stage productions in recent years, playing in most Australian capital cities and London’s West End.

Murphy also wrote the script for the 2015 film adaptation, directed by Neil Armfield.

It’s nowhere near as absorbing as the novel.

 The action is made up of multiple episodes, some little more than snapshots, inhabited by people with no back-story. The parents of both boys are reduced to little more than stereotypes and yet how they must have suffered, as must Tim’s partner, John, whose character is also thinly written.

 Act 2 makes many demands on the actors, reflecting the bonding exercises mentioned in the novel.

Murphy has created a flawed play from a flawed book

HTM 4A foot(y)note: The phrase ‘holding the man’ is not explained in the memoir or the play. It is not just that it comes from John’s sport. In Australian Rules Football, ‘holding the man’ is an offence that incurs a penalty; in his case, a cruel and undeserved one.

(There’s plenty of scenes in this film of male bodies colliding with athletic vigour, though also with the kind of tenderness which may seem foreign to the blokey physicality that comes with contact sports. It’s a smart joke about a society that fiercely regulates the nature of romantic relationships, but it’s also the funniest thing about this otherwise very straightforward gay love story.)

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